Giveaway begins Feb. 29th. Enter to win a signed paperback of my novel, Waiting for You!
All authors, especially those of us of the independent persuasion, understand the importance of reviews and building one’s platform. Readers are less likely to check out an unknown author whose work has zero reviews and ratings.
While just getting reviews are great, what if you could you could also be a part of an awesome community of authors, who all work to propel each other forward? It’s hard enough, stumbling through figuring out how to build your platform and promote your work.
Rave Reviews Book Club has been nothing but superb. It’s exactly that — a community of authors, all working together. I’ve connected with so many writers on Twitter, and not just as authors, but also making friends.
Definitely check it out! Tell ’em Allison Williford sent you. 🙂
I’m going to just put it out there: I’m looking for a partner in crime. I mean…blogging buddy.
Most of my posts here on my personal blog bounce back and forth between writing and mental health. I’m hoping to separate the two — one for writing, one for mental health issues.
I’d like to keep my own personal blog for mental health, and team up with one or two other writers to start a blog geared towards writing, grammar, book reviews, etc.
If you’re interested in teaming up, please leave me a comment or email me at firstname.lastname@example.org. I look forward to hearing from you!
I was immediately intrigued by the premise of this book. As a mental health advocate and with first-hand experience as someone living with mental illness, I have a soft spot for memoirs involving psychology. The idea of someone being able to recall one’s own birth and infancy was something new I had not heard of, and it definitely piqued my interest.
Overall, I thoroughly enjoyed Von Ghlan’s memoir about Jessica. I found myself empathetic and saddened by her anxiety and unique ways of seeking help — something I can definitely relate to. I also found myself cheering for her throughout her recovery and at each breakthrough. At the beginning of this story(and, in a way, joining Jessica on her journey into her own psyche), I was touched at how much Jessica’s first appointment reminded me of my own first attempt in therapy; I relived that anxious feeling of not knowing how to express myself.
There were a few parts, sparsely, that I found myself fighting to not skim through. One particular scene is most prominent in that aspect. It is an early scene that describes Jessica’s morning routine, down to eating breakfast, brushing her hair, moving quietly through the house. I somewhat understood, later on in reading, how this scene shows Jessica’s pre-therapy personality; but at that point in the story, I didn’t really feel like I understood or felt like I knew her well enough at that point to care (for lack of a better word) about being walked through every step she took. I felt like I was being lulled along by her backstory as a teenager until the part in which she went to the movies, came home, and didn’t not speak to anyone for several days.
In the end, however, I was glad to have picked up Von Glahn’s memoir. I am all too familiar with being on the other side of the psychology fence as a patient, so I enjoyed reading it from his point of view as the psychologist. His first-person POV felt genuine, and I discovered myself feeling and thinking some of the same things during Jessica’s therapy sessions — wishing I could shout at her, “Why?! What do you mean you don’t want your ‘me’ back!” or wanting to cry for her.
All in all, a very good read. I highly recommend Von Glahn’s memoir if you have any interest in psychology, whether as a patient or an expert.
You can check out Jeffrey Von Ghlan’s memoir on Amazon and Barnes and Noble!
This Sunday, 1/10, I will be on Rave Waves Radio @ 1PM EST/12 PM CST to chat about my Contemporary Romance novel, Waiting for You. You can tweet your questions with hashtag #RRBCTagTeam2*4*5 and join in on the conversation! And, as always, feel free to tweet me @AlliW_writes!
Before you send off your baby…er…manuscript to your editor or beta readers, it’s important to get it in tip-top shape. No beta reader or editor wants to slog through careless typos and errors that could have easily been fixed by the author.
I know what you’re thinking… but Allison! Isn’t that what editors and beta readers are for?!
The answer is no.
From time to time I do some beta reading. I’ve seen some really awesome manuscripts. But I’ve also seen some really horrible ones, too. I don’t mean horrible as in the story was bad; there were just so many typos, silly grammatical errors, or careless plot holes…so many that it just made me absolutely hate the story itself, and made me internally curse the author. It was very apparent that the author had done zero proofreading or editing.
All authors should take the time to edit their work once the first draft is complete (yes, even if you were self-editing along the way). A sloppy manuscript only screams:
“I’m lazy and I don’t care what you think of my writing!”
Okay, maybe not quite like that. But every sloppy manuscript I’ve read made me doubt the author’s ability as a writer. Every careless error detracted more and more from what could have been a really good story, usually to the point of my being totally fed up and wishing I could just stop reading it.
Editors will also appreciate your efforts. It saves them time from having to correct the little, silly errors such as typos, when they could be focusing on the bigger picture of your story — plot and characterization, or the voice and syntax of your writing.
This doesn’t mean you need to have a Ph.D in English. I do suggest picking up a reference book for English grammar. English for Dummies is a good one; it explains grammar rules in simple terms and offers good examples.
Once you’ve brushed up on basic grammar and punctuation, here are some suggestions for editing your work. I did all of these (pretty much in this order, too) after I finished my first draft of Waiting for You. But do what works for you!
- Step away from your story
Once you’ve finally written those glorious words — The End — take a break from your first draft. After you’ve spent God only knows how many months of grueling over every scene and chapter, it all looks the same. Your brain knows what it’s supposed to say or sound like, so that’s what your eyes see when you proofread. Step away from it for at least a week. A month is great if you have the luxury of time (and not having a deadline). You’ll be able to come back with fresh eyes.
- Proofread your manuscript in various mediums
If possible, read it in different mediums: print out your manuscript or load it onto your e-reader. If you print it out, mark up that bad boy with colored pens and markers (I’m a nut when it comes to colored pens). If you use your e-reader, load it as a .mobi or .epub file, and you should be able to “highlight” any troublesome passages. Also, make note of any phrases or words that you’ve used too much, as well as those pesky adverbs.
- Read it aloud
Seriously, read your work out loud. You’ll be able to hear any clunky clauses or phrases, or dialogue that doesn’t quite sound genuine.
- Use your word processor’s handy dandy search bar
Once you’ve gone through your manuscript a few times, go back into your word processor (or Scrivener, if you’re in the cool club), and use the search function to find any of those phrases or words you made note of. Reread those passages to see if there’s a more appropriate word or description you can use.
- Nix was, said*, very, etc.
Or any other “weak” verb or adjective. I heard the tip some time ago to search for the word “was” — it was actually very eye-opening. I found that I was using the imperfect tense in a lot of places where preterite tense conveyed the action much more crisply. (i.e. “He was trembling.” vs. “He trembled.”) This also goes for the word “very.”
*A note on dialogue tags: Tread carefully when it comes to your dialogue tags. If you find yourself having to replace a ton of dialogue tags for stronger verbs, or find yourself using a lot of adverbs, you may need to rework the dialogue itself. While using strong verbs for tags can be great in small sprinklings, your dialogue and your character’s action before/between/after should convey their emotion strongly enough that it doesn’t necessarily require a different tag.
- Those-Which-Must-Not-Be-Mentioned… That’s right. Adverbs.
A lot of writers will cringe and hiss at you if you even utter the word “adverbs.” While it’s true that too many adverbs are a red flag that you should find stronger verbs and descriptions, I’m of the mindset that a few minor adverbs here and there are OK. You can’t seek and destroy every adverb in your story; you’ll end up with choppy passages and forced, awkward writing. If you find yourself scouring a thesaurus, just stick with your adverb. In a lot of instances, it’s extremely apparent when a writer had to look up a word.
Take your time with edits and revisions. There’s no need to rush through them. Once you’re ready to work with beta readers and editors, be sure to keep an open mind to their input. You might find that all your betas have the same suggestions on a certain character or scene. Be receptive and respectful of critique, but also be sure to give your betas feedback as well.
What other steps do you take to get your manuscript ready for beta readers and editors? I’d love to hear your suggestions in the comments!
Book trailers seem to be a pretty popular trend. I’m not really sure why. The whole point of a book is to read, not watch. I browsed through a few on Youtube yesterday — most of them for Romance and Young Adult novels — and a good majority of them featured pictures of models or actors. One even had clips from a TV show. How many people actually watch these trailers?
I have a beef with this. One of the fun parts of reading a book is getting to imagine what the characters and settings look like. Book trailers that feature pictures and video clips of real people take away from the joy of using your imagination. For my previous Meet the Character posts, I included links instead of embedding the image in the post, offering people the choice to look or not. I had a very clear image in my mind of what my characters looked like before I found actors who best resembled them. I get that some people like knowing exactly what a character looks like beforehand, but not everyone does. Besides, you shouldn’t need to rely on pictures to portray your characters; your description in your novel should be able to do all the work.
Here are my thoughts and tips on book trailers, should you choose to make one for your book:
- Don’t include images of someone’s face. Perhaps someone looking away, with their face blurred, or the back of their head — you get the gist. Just not the entire face. Not all readers want to be shown exactly what your character looks like.
- Brevity is key. Keep it short and sweet. One minute, at the longest, should suffice. There were a few I saw on Youtube that were between 3-4 minutes long. I never made it past the 1:20 mark on any of them.
- Don’t spill the beans. What I mean: don’t divulge your entire plot. A book trailer should tantalize your readers and make them want to read it, like your back cover blurb.
For fun, I put one together for Waiting for You. I used iMovies, but to be honest, I have absolutely no idea what I’m doing when it comes to making videos.
What are your thoughts on book trailers? Any tips for authors who are thinking about making one?